A week later, Martha informed Liyan of two key findings from the police investigation. The bloodstain analysis confirmed that the blood on the * Empress Dowager Worshiping Buddha painting* stone slab was indeed from someone with a direct blood relation to Liyan. As for the Chinese artifacts found in the Huntington wine cellar, only 7% could be confirmed as stolen Chinese relics from the past few decades (based on evidence provided by Director Xu Chengyuan). Unfortunately, the Chinese Cultural Relics Bureau had no information on the vast majority of the looted items, and since the crucial old newspapers were all destroyed by Nanny, the British police refused to officially recognize them as stolen.　　These newly surfaced pieces of evidence caused an uproar in Oxfordshire, prompting journalists and curious onlookers to flood the court with requests to attend the trial. The Oxford Magistrates' Court had to resort to a lottery system to determine who could witness the proceedings. The third hearing was moved to the largest courtroom in Oxfordshire, and on the day of the trial, the media swarmed the courtroom early, each eager to claim the best spot.　　Judge Brighton Khan announced, “Court is now in session.”　　Martha began her questioning of Liyan.　　"Where did you first see the *Empress Dowager Worshiping Buddha painting* stone slab?" Martha asked.　　"In August 1987, at the Longmen Grottoes in Luoyang, Henan Province, China," Liyan replied.　　"And where did you see the stone slab again?"　　"In a room on the third floor of the Huntington estate."　　"Is this the same stone slab that was la